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San Joaquin Delta College
5151 Pacific Ave., Stockton 95207
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Events and Activities at Delta College for Spring 2016: PLACAS: The most dangerous tattoos, Feb. 4&5
PLACAS: The Most Dangerous Tattoo
a play by Paul S. Flores

February 4 & 5, Atherton Auditorium, 7:30pm
FREE to the public w/ticket from DCA Box Office
Play - PLACAS: The Most Dangerous Tattoo, Feb. 4 & 5

For Immediate Release
01/19/2016

Paul S. Flores, Fathers and Families
of San Joaquin and Delta College Present:
PLACAS: THE MOST DANGEROUS TATTOO
A Stockton Premiere - Atherton Auditorium
Starring Ric Salinas
of Culture Clash
February 4, 12pm & 7:30pm
February 5, 7:30pm

(Stockton, CA) PLACAS: The Most Dangerous Tattoo, the celebrated play by Paul S. Flores, will make its Stockton debut on Thur. February 4, at 12pm & 7:30pm, and Fri. February 5 at 7:30pm at Delta College’s Atherton Auditorium. The play stars Ric Salinas of the Culture Clash performance troupe. This play is FREE and open to the public with admission tickets available at Delta’s DCA Box Office, 209-954-5110.

Directed by the Latino Theater Company’s Fidel Gomez, PLACAS (barrio slang for body tattoos) is a bilingual tale of fathers and sons, transformation and redemption that illuminates one man’s determination to reunite his family after surviving civil war in El Salvador, immigration, deportation, prison and street violence. PLACAS stars Ric Salinas, a founding member of the critically acclaimed performance group CULTURE CLASH, as Fausto “Placas” Carbajal, a Salvadoran immigrant who tries to reclaim his family while letting go of his gangbanger past. The play also stars Zilah Mendoza, Xavi Moreno, Sarita Ocón, Eric Aviles, Emiliano Torres and Edgar Barboza.

PLACAS is written by acclaimed spoken word artist Paul S. Flores. Flores interviewed more than 100 gang members, parents and intervention workers in the Bay Area, Los Angeles and El Salvador to develop material for the script. Salinas’ role of Fausto is loosely based on the experiences of ex-gang member Alex Sanchez, founder of the Los Angeles based violence prevention non-profit Homies Unidos.

SPECIAL ACTIVITIES SURROUNDING PLACAS IN STOCKTON

Thursday, February 4, Delta College, Atherton Auditorium
12:00pm-1:30pm-"Making Theater About Conflict and Peace”
The cast of PLACAS will perform a 30 minute excerpt of the play for Delta College students, followed by a discussion about the process of creating theater with gang members and peacemakers.

5:30pm-7:00pm- "Community Peace Panel"Stocktonviolence prevention experts, youth empowerment workers and youth leaders discuss strategies for healing and achieving positive transformation.

7:30pm - PLACAS evening performance, Atherton Auditorium.

Friday, February 5
12:00pm-4:00pm- "Day of Healing: Black and Brown Youth and Elders”
Healing Circle with Maestro Jerro Tello and The Brotherhood of Elders. Workshop: "Stockton Students Discuss Progress and Challenges for Peace” at Fathers & Families of San Joaquin 338 E. Market Street, Stockton. Register by emailing Fathers & Families: icalimlim@ffsj.org.

7:30pm - PLACAS evening performance at Atherton Auditorium, with special 9:30pm post-performance cast reception in the Atherton lobby

PLACAS 2016 California tour is sponsored by The California Endowment Center for Healthy Communities, The National Compadres Network, Homies Unidos, The Unity Council Latino Men and Boys Program, The California Endowment Sons and Brothers and The San Francisco International Arts Festival. Stockton activities are sponsored by Fathers and Families of San Joaquin, and Delta Community College. This project was made possible in part by the Doris Duke Performing Artist Awards program.

About PLACAS
In street culture, placas signify an individual member’s unswerving loyalty to the gang and also serve as a mechanism to create a new identity. Using Fausto’s tattoos as a metaphor, PLACAS explores the process of tattoo removal as one possible path for former gang members to move forward. Laser tattoo removal is a complicated and painful procedure that can take years to conclude, and it is especially risky for ex-gang members because their former comrades see it as betrayal and may target those who seek treatment. Partly because of this risk, gang prevention workers, police, probation officers, judges and caseworkers see tattoo removal as a legitimate step gang members can take toward reintegrating into civil society.

Ric Salinas, who was born in El Salvador, said of the play, “Living in San Francisco in the 1980s, a time when the war sent many refugees to places like San Francisco's Mission District, I saw first-hand how this wave of immigrants impacted the neighborhoods and how the realities of trying to adapt to living in the U.S. impacted Salvadorans. I was almost killed trying to prevent gang violence in front of my home in the Mission, so it is something I have first-hand experience with. I agreed to play Fausto because I'm hoping that by telling his story, it will allow audiences, old and young, to experience and learn about the consequences when loved ones become caught up in gang activity.”

“What a gang member has to go through to be human is huge,” PLACAS playwright Paul S. Flores explained in an interview with the San Francisco Chronicle. “There's a mangled sense of identity, of life outside the gang clashing with the code of the gang. How do you recover from that? How does a man like Fausto recover his humanity after a lifetime of war and violence?”

PLACAS was first produced at the San Francisco International Arts Festival in 2012, and has since traveled to over a dozen cities including Los Angeles, Washington DC and New York. Co-commissioned by four nationally respected Latino arts organizations (MACLA, Su Teatro, Pregones Theatre Company and GALA Hispanic Theatre) through the National Performance Network, PLACAS was developed with the Central American Resource Center (CARECEN) as a pro-active community response to the issue of transnational gang violence, presenting positive elements of Central American culture in the context of a hostile, anti-immigrant political environment.

PAUL S. FLORES
Poet, performance artist, playwright, and spoken word artist Paul S. Flores explores the intersection of urban culture, Hip-Hop, and transnational identity rooted in his growing up in both Chula Vista, CA and Tijuana, Mexico. His theater works include the play PLACAS: The Most Dangerous Tattoo (2012), a bilingual tale of fathers and sons, transformation and redemption; the solo performance You’re Gonna Cry (2011); and the two-hander REPRESENTA! (2007). He is a 2015 Doris Duke Performing Artist Award winner, 2014 KQED Hispanic Heritage Local Hero, and 2011 San Francisco Weekly Best Politically Active Hip-Hop Performance Artist. Support for his work also includes the National Performance Network Forth Fund Award (2014) and NPN Creation Fund (2012), an NEA Theater grant (2013), and a National Association of Latino Arts and Cultures Fund for the Arts Individual Artist Award (2009). As a co-founder of Youth Speaks, he has introduced spoken word to hundreds of thousands of youth all over the country, and has developed a national platform for young people through the Brave New Voices: National Teen Poetry Slam, seen on HBO. He teaches Hip-Hop Theatre and Spoken Word at University of San Francisco. See more www.paulsflores.com

FATHERS AND FAMILIES OF SAN JOAQUIN
Fathers & FamiliesofSan Joaquin (FFSJ) is a nonprofit organization based in Stockton whose mission is topromote the cultural, spiritual, economic and social renewal of the most vulnerable families in Stockton and the greater San Joaquin Valley.FFSJ emphasizes culturally competent mentoring and mentor training, youth-led civic engagement and community development and organizing particularly around issues such as violence prevention, culturally-rooted healing, and reducing recidivism.

DELTA COMMUNITY COLLEGE, CULTURAL AWARENESS PROGRAMS
Established in 2000, the Cultural Awareness Program Committee creates and maintains programs that support a campus environment where cultural awareness leads to understanding and valuing of diversity.

PLACAS Production Team Includes:
Tanya Orellana, set design – Pablo Santiago, light design – Alejandro Acosta, sound design – Yee Nam, projections  – Marissa Marshall, tech director –Julian Fernandez, stage manager – Sarita Ocón, tattoo designs – Eric Reid, production mgr.

 

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